The high school girl Utage is a fan of the idol group F/Ace, especially its star Tamon Fukuhara. During her job as a part-time house-cleaner, Utage substituted for a sick co-worker, and found herself at Tamon's house! It's like a dream come true, except Tamon in real life wasn't quite what she expected from her idol…

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

Series dedicated to preserving the legacy of shot on video horror movies. Hear the true stories from the innovators themselves on these important works in cinema history.

After 12 years in an asylum, as she is reunited with friends and family, Dana begins to realize the events that led to her stay there may not have been imaginary.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

The mysterious circumstances around the death of Vignesh's father leads him down a path filled with unexpected twists and turns. Nothing is as it seems, but will the truth finally set him free?

After accidentally setting their principal's boat on fire, best friends Lex, Presley, & Munchy create an app to get jobs to pay off their debt. They'll do whatever it takes, no matter how embarrassing.